That playfulness – recently illustrated by the “Guardians” holiday special – extends to the seemingly unlimited song budget, which has moved beyond Quill clinging to his childhood to setting an overall mood of warmth and nostalgia.

Reinforcing the sense of the movie serving as an extended curtain call, Gunn – who, remember, was fired from the project over social-media posts, and later reinstated – repeatedly highlights the depth of the bond between key players, in a way that perhaps more than anything brings to mind “Toy Story 3.” Yet “Guardians” also revels in broadly comic exchanges between the hulking Drax (Dave Bautista), empath Mantis (Pom Klementieff) and serious Nebula (Karen Gillan), often approximating the banter of squabbling siblings. Pom Klementieff, Chris Pratt and Karen Gillan in 'Guardians of the Galaxy Vol. He’s jolted from his misery, however, by a threat that forces the team to leap into action to save one of their own, which includes facing off against one of the more visually striking comics characters, Adam Warlock (Will Poulter), a creature with enormous power but an almost-childlike mind. This “Guardians” begins with Quill (Chris Pratt) having become an emotional wreck because of his estrangement from Gamora (Zoe Saldaña), who returned post-blip with no memory of their relationship. 3,” as well as a darker thread that delves heavily into the past of Rocket (voiced by Bradley Cooper), the unnaturally savvy and bloodthirsty anthropomorphic raccoon, conveying an unexpectedly poignant animal-rights message in the process.

The key to Gunn’s earlier movies relied on a mix of abundant visual energy, distinctive characters, cleverly incorporated songs and no small amount of sheer goofiness.

As evidence look no further than “Eternals,” another super-team that (while meriting an asterisk due to the pandemic) didn’t fare nearly as well. 3” drives home that point, with a boisterous and often emotional sequel that feels very much like a true conclusion, fueled in no small part by writer-director James Gunn having migrated his talents over to rival DC.īuilding franchises around more obscure heroes always represented the biggest risk in Marvel’s cinematic plans, which made the success of “Guardians” in 2014 and its less-satisfying sequel a minor miracle. In hindsight, the most unlikely hit among Marvel’s parade of them was all about the unlikeliest of families.

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